Married women in Jackson for sex

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Blunt and sexy, with flashes of raunchy humor and just enough nuggets of human truth buried in its formulaic plotting to infuse it with genuine heart, Gary Hardwick's romantic comedy ''The Brothers'' is a movie that doesn't beat around the bush.

Married women in Jackson for sex

Within the first 10 minutes of the film, one of its four on-the-cusp-of main characters boasts that he and his buddies are the ''cream of the crop'' of African-American men of marrying age. And before you can exhale, ''The Brothers'' begins digging into the love lives of these four Los Angeles basketball buddies, all but one of whom are spoiled playboys torn between the thrill of the hunt and an increasingly anxious awareness that the time may have come to hang up their swingers' shoes. The exception, Derrick West D. Hughleyalthough already married, is hardly a walking advertisement for the domestic bliss his friends hope to achieve once they conquer their commitment phobia.

The father of a young daughter, Derrick is constantly battling with his wife, Sheila Tamala R. Jonesover two issues. One, whose farcical possibilities the movie belabors for cheap laughs, is Sheila's refusal to provide her husband with oral sex. The other is the invitation Derrick extends to his mother without consulting Sheila to leave the retirement home where she has been living unhappily and move in with them.

Married women in Jackson for sex

The scenes of this marriage are among the shakiest elements of a movie that is far more interested in exploring the courtship rites and family problems of its single characters, especially Jackson Smith Morris Chestnuta handsome, successful pediatrician. With a long string of conquests behind him and endless sexual opportunities ahead, Jackson, encouraged by his therapist, bites the bullet and makes a conscious decision to bare himself emotionally to the next woman he begins dating.

Almost immediately, he becomes involved with Denise Johnson Gabrielle Uniona beautiful, smart freelance photographer, and begins opening his heart. Therapy isn't the only thing motivating Jackson to explore a serious relationship. His best friend, Terry White Shemar Moorehas abruptly decided to give up his wild ways and marry a woman whose only flaw seems to be a fetishistic fondness for guns.

Late in the story, when Terry comes down with a serious case of pre-wedding jitters, her skill with firearms pushes the movie to a ludicrous dramatic confrontation. Finally, there is Brian Palmer Bill Bellamyan unregenerate lothario, male chauvinist and sloppy drunk, who spends much of the movie browbeating his friends into staying single. Not even Mr. Bellamy, with all his cocky charm, can redeem Brian from seeming like an arrogant, tiresome jerk who despises the women he uses, and the movie relishes each of his several comeuppances.

Brian is also the vehicle for the film to vent its negative feelings about interracial dating, especially about white women who sexually prey on black men. Jackson is chagrined that 18 years after their bitter divorce, his parents have begun dating again.

When he learns that Denise once briefly dated his father she is too scared to tell himhis perfect relationship begins to unravel. But the movie, in a chicken-hearted gesture, makes it clear that Denise and Fred never slept together. The screenplay's handling of the ticklish material involving father-son rivalry and Jackson's lingering bitterness toward a wastrel dad who abandoned the family is of a much higher order than its cartoonish portrayals of Jackson's friends. And the performances of Mr. Chestnut, Mr.

Powell and especially Ms. Lewis lend the characters' conflicted feelings of hurt, longing and love a real emotional clout. The movie's compelling voice of reason belongs to Ms. Lewis's Louise, an oracle who spouts unconventional home truths about love, sex and family life with a sassy authority that makes them seem inarguably sensible. But in fleshing out the other stories, ''The Brothers'' darts nervously between soap opera and sitcom, rarely blending them in a way that lets the two genres enhance each other.

But if ''The Brothers'' falls far short of its prototype, ''Waiting to Exhale,'' it still conveys a warm-blooded affection for its characters. And more than most Hollywood films, it appreciates the connective power of sex and applauds its characters' sensuality.

Married women in Jackson for sex

It also gives the sexes their due. If the men are playboys, the women know how to stand up to them and manipulate them when necessary. There's not a whining doormat among them. For sex in the world of ''The Brothers'' is an exciting rough-and-tumble game in which both sides are equally matched.

It's so much fun to play that only a fool or a coward would hesitate to jump into the fray. It has sexual situations, profanity and a lot of pungently salty dialogue. Running time: minutes. This film is rated R. View on timesmachine. TimesMachine is an exclusive benefit for home delivery and digital subscribers.

Married women in Jackson for sex

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